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CONTENTS:
Home
- Essay Question and Outline
1.
Introduction: The Art of Smoking
-Art today
-Art's growing family
2. Lecturers'
Approaches
- On Individuality
- On Clichés
- On Commercialism
- On Criteria
- Summary
3. Students Challenging Tutors
4. Future Challenges
5. Conclusion
References
Bibliography
Self Evaluation
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Art today
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"A Raphael is not a painting in the
National Gallery - it is an active force in our lives."
Ben Nicholson - 'Notes on Abstract Art'. 5.
"Skill without imagination is craftsmanship
and gives us many useful objects such as wickerwork picnic baskets.
Imagination without skill gives us modern art. "
Tom Stoppard - 'Artist Descending a Staircase'
6.
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When I asked my art lecturer colleagues - as research for this
work - what they see as the role of Art in society, over half of
them said, in varying forms, to change the world. Admittedly
they all said it whilst laughing and not without an acute sense
of self-awareness and embarrassed idealism, but they did say it,
and for good reason. The idea that the artist, and art, is important
for the world and is a High human endeavour is now widely
regarded as being a by-product of the Renaissance period 7
, and the acceptance of the individual to embrace their own worth
and influence in all areas of human relations. Artists - with their
radical ideas - became central figures in furthering the debate
of mankind's existence, as they now not only reflected the ideas
and symbols of religion, philosophy, and morality, they also began
to question them.
8 In similar ideal terms then, to be educated in the
Fine Arts 9
was held in high esteem and became core to the Classical
training for Kings, Queens, Emperor's and Empresses across the Western
world, and deemed as important as Mathematics, Sciences, Philosophy
and Religion. Now in the modern era we see a situation where, in
the hierarchy of 'importance' in popular opinion, out of the classical
subjects, Science is the undisputed pack leader, closely followed
by Mathematics, with Religion and The Arts trailing a poor 3rd and
4th. Philosophy would be lucky to be even on that scale at all.
Whilst there is no doubt that the cultural landscape and sense
of priorities has changed since the Renaissance period, it is interesting
to witness that it is not only Religion which today still maintains
to hold a moral and high position in society. It is not surprising
however to understand why, if in popular opinion art is no
longer seen as a priority for modern society and viewed more as
a desirable luxury, the perception of art education has gone much
the same way. Art education providers would say this is a contradiction
because their courses are oversubscribed and more popular than ever,
but the majority of their students will be young, and the voice
of popular opinion is predominantly old. Popular Opinion
and Popular Culture are in no way the same thing, and should
not be confused with one another.10
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| For an established legal activity there is nothing
quite like the existence of modern art and the money given to public
galleries that gets the tabloid 'redtops' hot under the collar and
bubbling with rage. Widespread criticism of art practices in today's
media saturated environment tend to focus on the work being "useless",
"elitist", "self-indulgent"
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and generally a waste of money. The perceived fact that
the work is not deemed "popular" or accessible to a mass
audience is very often translated to mean it is somehow worthless
and legitimate grounds for attack. The mass media today, especially
in the UK, is widely regarded as having the prime cultural
voice and its influence spreads across politics, arts, law and entertainment.
13. It is only natural therefore
for media and the rest of society to criticise what they see as waste
of money and resources, whether we like it or not. |
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"To have almost limitless power to call up any
image, to convey and receive information without any restraints,
to create, as it were, one's own world, would reinforce the dangerous
perception that life has no purpose beyond individual gratification."
Lord Hasgood 14.
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It would not be accurate however to paint a picture in which it
appears that art has somehow been left behind covered in cobwebs
in the 15th Century, with the rest of society embracing all notions
of progress, civilisation and modern thought marching proudly into
2004. The art world too has a very different cultural landscape
than the Renaissance era, and has evolved in tandem with the rest
of society, (some would argue beyond). Go into any contemporary
art gallery today and you will see, instead of traditional painting
and sculpture, the use of video, photography, advertising, computers,
music and a whole host of other modern technological approaches
and ideas explored in the work. Ironically though, it is exactly
this evolution of the art world which holds it up for the most severe
of the current criticism. It is when artists fully embrace the ideas
of the Renaissance and take it to its' extreme level - Individualism
- that the floodgates open and the "elitist" accusations
fly. Rather than (only) tackling the classic metaphysical questions
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encouraged by the Renaissance period, artists have by-and-large
begun questioning everything else as well; from fast-food, television
and sexuality, through to the mass media and even the holy grail
of popular opinion itself. The Art World's gaze has not proved
to be shy and even questions itself - challenging the very notion
of what is classed as art at all. In critiquing itself, it could
be argued that the art world is far more questioning, ruthless and
honest than the media, which has been notoriously criticised
for its failures of self regulation. 16
With this in mind, many artists and art educators would argue that
if ever Art could change the world, it would be now.
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